Early in the history of digital media, when the science of error correction was in its
infancy, artists discovered that glitches could oftentimes produce wondrous artifacts.
And that, much like the technique of the “Cut-up,” formed new juxtapositions that
seemingly came from nowhere.
They display a world which, apart from the new flashy technology we now have, has not changed much – alcoholism, despair, homelessness, poverty, and abandonment are still very present today as they were when these pictures were taken in 1988 and 1989. These photos will probably be viewed by some as flawed, but to me, they exude a rawness that I find missing in today’s ‘perfectly framed’ digital photography.
Throughout the trip, I was engulfed in mesmerizing, tessellating scales. Like eyes, leaves, or shapes influenced by Mayan carvings, the scales cascaded uniformly across my field of vision—eyes open or closed—from the bottom left to the top right. And at the far left and right extremes, the scales opened out to infinity.
WHITE FUNGUS GOES GLOBAL – Exclusive Interview with Editor Ron Hanson Robert Ashley: “Great ones like White Fungus only come along now and then. Get the recent issue and find out.” Carolee Schneemann: “I follow and relish the rich, un-predictable, and consequential span of White Fungus.” Named after a food can found in…